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]]>Alongside the SPECTR fashion shoots, there are also a number of collection shoots with the latest models from selected premium brands that will make the hearts of opticians beat faster. Look forward to top styles from ETNIA BARCELONA, HOFFMANN NATURAL EYEWEAR, ITALIA INDEPENDENT, LOOL, MOREL and YOU MAWO – all captured in breathtaking shoots that are guaranteed to end up on every wish list.
In our new editorial features we highlight products and campaigns from CUTLER AND GROSS, EINSTOFFEN, GLORYFY, J.F. REY, LOOK, MASAO, METROPOLITAN, REIZ and VAVA. Special highlight: the cover! The subtle tones of the SILHOUETTE glasses captured by a vibrant layout – simply beautiful! So, sit back, be inspired and immerse yourself in the most exciting trends of the new season! If you don’t already have the magazine, you can get your own personal copy at Silmo. Look out for our SPECTR trolley – it’s hard to miss!
photography: ULRICH HARTMANN [Berlin], hair & make-up: TOBEY STIES, styling: MARIE LOUISE MÜLLER [all looks by MARIE LOUISE MÜLLER & EMMA THOSS], assistant: MATEUSZ FROLENKO, models: MARIE KÖHN at PLACE MODELS & LASSE BUHL at ELENA MODELS
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]]>The post SPECTR Magazine #41 Out Now! appeared first on Spectr.
]]>As we celebrate this iconic label, we also pay homage to the heroes of eyewear – top opticians worldwide. In a heartfelt tribute, we shine a spotlight on three remarkable independent opticians, each a beacon of expertise and dedication in their craft.
Discover captivating collection shoots and fashion galleries that push the boundaries of style, and delve into insightful interviews with industry insiders, gaining exclusive perspectives from the visionaries shaping the future of fashion and eyewear. Take a glimpse, and enjoy our new magazine issue.
BLACKFIN is a specialist in the design and manufacture of titanium eyewear – this is evident in all collections from the Italian premium brand from the Dolomites. Each collection demonstrates a high degree of product maturity and reflects the identity of the brand. For our current cover and collection shoot, we were able to gather highlights from three BLACKFIN collections. The product selection represents both the BLACKFIN brand and one of the three lines One, Pacific and Atlantic. […]
photos WILLIAM FERCHICHI, assistant HYNING GAN, styling AISYA WASHINGTON assisted by SIBELIS TAVARES & DAKI MURRAY, models JULYA MURRAY at OFFICIAL & COLLIN HYON at Q MANAGEMENT, make-up J. PATRICK at SEE MANAGEMENT, hair DAVID CARLOS CRUZ at ART DEPARTMENT
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]]>The post SPECTR Magazine #40 Out Now! appeared first on Spectr.
]]>It’s no secret that we at SPECTR Magazine have launched the FAVR digital platform. For us, this completely different way of working is an important and very welcome enrichment, as the demands on the Internet are completely different. SPECTR is all about photo shoots, layout, printing and editorial depth. In this context, we would like to point out the specials in the current issue, e.g. on the topics of 3D printing or sustainable eyewear. In our fashion spreads, our photographers from Berlin to New York showcase the most beautiful eyewear from the categories of titanium, acetate, color blocking and much more. At FAVR, on the other hand, we focus on search engine optimization, user experience, digital leads, call-to-actions and a good customer journey. The different target group – FAVR addresses the consumer – also requires a different way of thinking in almost all areas. We admit that building digital relevance and traffic has challenged us, but also trained us.
After 40 issues of SPECTR magazine and almost 4 years of the FAVR platform, we are convinced that the digital and analog worlds are increasingly converging. The right strategy is important in order to achieve individual goals. We would therefore like to encourage all opticians to actively and passionately shape their future on all channels.
Moreover, the hype surrounding artificial intelligence has long since reached the visual level, and the possibilities seem limitless. Who hasn’t tried to create images with “prompts”? However, the results are often a bit of a surprise package. The cover shoot for SPECTR Magazine #40, although created digitally, is something completely different. It features virtual models who have come together to represent EINSTOFFEN models. Ava and Edgar were brought to life from pixels by our friends at the Verce agency. While Ava has previous experience in SPECTR, Edgar is brand new. Both may not exist in real life, but they are nevertheless precisely designed virtual personalities with their own characteristics. Flexible in their portrayal, unlike today’s AI characters, they can effortlessly wear different outfits and strike any pose they wish.
The fusion of virtual models and real glasses proves to be a perfect synergy. Everything here is well thought out and staged – be it the gesture, the clothing, every nuance of the pose or the background. Compared to artificial intelligence, the use of virtual models offers the advantage that both the planning and the product, in this case the EINSTOFFEN glasses, can be displayed with the highest precision. The fine milling of the frames in particular can be depicted in great detail on this basis and thus come into their own. It may seem ironic that the EINSTOFFEN’s motto “Raw and Noble” meets virtual models here, but at the same time Ava and Edgar embody this spirit perfectly. We believe that the future will not be characterized exclusively by artificial intelligence, virtual models or classic photography, but by a clever mix of all aspects. Above any dogmatic approach, we believe in presenting eyewear and brands in the best possible way.
SPECTR Magazine’s latest cover presents EINSTOFFEN. In the 40th issue of the international eyewear fashion magazine the Swiss eyewear brand exhibits a new campaign under the title “Raw & Noble” portrayed in an exclusive collection shoot by New York photographer William Ferchichi for SPECTR Magazine. The fresh narrative is in line with the established premium ethos of EINSTOFFEN. In this interview, Ramon Studer talks about the opening of the St. Gallen brand store, the cornerstones and inspirations of the new campaign and its impact an the design ethos and product details. An EINSTOFFEN deep dive with Ramon Studer.
Hello Ramon, you have just opened your new store in St. Gallen, which is also a reflection of your brand. Can you tell us more about it?
Of course we can. We opened our brand store in St. Gallen in December. We found a wonderful location in a listed commercial building in the old town of St. Gallen, close to the Abbey Library and many small restaurants and cafés. You can literally feel the history of the city in the rooms. As all the furniture is also listed, we had to concentrate on restoration during the conversion in order to retain as much of the old charm as possible. Nevertheless, the store will still look fresh because we have used modern elements in the right places.
This fits in well with your new campaign, which is being launched with the claim Raw & Noble. What do “Raw” and “Noble” embody for you?
The “raw” refers to the Alps and the raw nature. The Alps are a wild and untamed landscape, characterized by high mountains, deep valleys and raging rivers. In the design language, the raw is expressed through materials such as acetate, wood and titanium, through irregular shapes and surfaces, but also through clear lines and structures. “Noble” refers to the elegance and […]
photos WILLIAM FERCHICHI, hair DAMIAN MONZILLO at CELESTINE, make-up MAGDALENA MAJOR at SEE MANAGEMENT, models DASHA MALENTINA at W360 MANAGEMENT & BRUNON KAMINSKI at WILHELMINA
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]]>The post SPECTR Magazine #39 Out Now! appeared first on Spectr.
]]>We live in a time when our choices as consumers are increasingly ethical. We want to know who makes the products, how they are made, and whether the companies involved are socially responsible. Authentic brands tell their story openly and transparently. They communicate not only their materials and technologies, but also their corporate culture and efforts to have a positive impact on society and the environment. In our new SPECTR Magazine issue #39 we are pleased to once again feature many exceptionally authentic brands with unique positioning. For our cover and collection shoot of this new issue, we have a fine selection of eyewear from a total of five YOU MAWO collections, including a very special design – the »AI One« – probably the first mass-produced eyewear designed with the help of artificial intelligence.
YOU MAWO is one of the pioneers of 3D printing technology and has specialized in the customization of eyewear since its inception. The young company continues to push the boundaries of what is possible. The brand now offers a wide range of models in different collections.
The Design Lab Collection conceptually explores a wide range of themes. It shows the creative possibilities and is a playground for the YOU MAWO design team. This is where particularly unusual forms are created, such as the new YOU MAWO masterpiece, the »AI One«. The »AI One« is a very special pair of glasses, not only visually, but also in terms of the design process – because it was designed with the help of artificial intelligence. The AI does not replace the creative human, but serves as an interface to a wealth of inspiration. In the design process, multi-layered impressions are exploratively translated into designs. The glasses seem to have been born out of a dream – and in a way, they are. Traditional eyewear forms have been consistently questioned and recreated, such as a diagonally inclined bridge that also forms a keyhole. Typical of YOU MAWO, the approach is driven by curiosity and openness to new technologies […]
photography Ulrich Hartmann [Hamburg], hair & make-up Gaye Hiette, styling Jakob Schaefer, assistant Theo Frolenko, male model Luke Volker at M4models
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]]>The post LOOK // NOI – We Are Bold appeared first on Spectr.
]]>LOOK has more than 40 years of history to look back on as a brand. The result of their decades of experience is a high product quality and the kind of reliability that makes it tempting to stick to tried and tested successes. Despite that, the Italian brand is still breaking new ground and rebranding itself. The concept for 2023 is based on their campaign motto NOI (we). The products of the Bold collection, which we were able to stage in this collection shoot, reflect this, as we explored in our interview with Head of Marketing Marco de Fina.
Hello Marco, LOOK has been a top Italian eyewear brand for decades. What distinguishes the brand from its competitors?
LOOK is a brand that, from the very beginning, wanted to bring an avantgarde vision that united style and technique to the eyewear market. An evolved vision of the product to really meet the wearer’s needs – from the perfect fit to the lightness of the product. It’s designed for prolonged everyday use. Our focus on quality along with our dedication to ethical production has always distinguished us from other brands. We practice what we preach.
You’ve already creatively realigned yourselves in the last two years. Now, you are rebranding yourself. What does that look like?
Rather than a rebranding I’d rather call it a natural evolution of our brand. In an increasingly competitive market, it’s important to be more incisive – more direct. LOOK is evolving to find a new approach to the market in terms of design, communication, and image. We’re incorporating a cooler edge, but without losing the now famous and established aspects of the way we produce our frames.
So, you’re doing away with “Made in Italia” in the brand, but domestic production remains a basic constant at LOOK, doesn’t it?
Absolutely! Our production is 100 percent Italian and always will be. We just wanted to be more direct and incisive. “Made in Italia” is one of our values, but it’s certainly not the only one. Because of this, we are switching our focus to talk about LOOK as a much bigger symbol to represent our values, ethics, corporate philosophy, vision and mission. We’ll still always emphasize “Made in Italia” in a dedicated section for our established customers and for everyone who wants to get to know us.
Have the basic values and philosophy of LOOK changed in any way?
No, or rather, they are even stronger than before. LOOK’s core value is family. We produce frames ranging from the kids segment to adults – representing the whole family. That also truly represents the type of company we are – one that is family-owned. The owners of LOOK are the Tormen Family, now in their second generation. We’ve stayed true to the values that have made us successful over these 40 years, such as customer care and innovation, and we will carry those forward.
This year, you are putting the company itself at the center of your campaign – NOI. What is behind this?
Thank you for this question, this new image is something we really like to talk about. You’re absolutely right, it does put the company front and center! The company is the people, NOI (we) – all the employees of LOOK. Of course, people also includes our customers, our end users. NOI puts people at the center and does so with a modern yet also simple style.
For our collection shoot, you sent us four models from the Bold collection. The name suggests striking styles, yet the individual models are quite wearable. What distinguishes the Bold collection?
These four models represent a new LOOK milestone. The volume of the frames lends them a certain importance without giving up the unmistakable and recognized lightness of our product. They feature a cool design that brings a sense of novelty to our sample collection while carrying forward an already established product by LOOK – the famous NILs.
What materials do you work with in this collection?
Our materials are definitely a strong point. In this collection we use a combination of our NIL, the injection molding technopolymer and XINOX, our steel that is 30 percent more flexible than traditional steel without sacrificing its natural strength.
Another special feature is the campaign’s color concept. What is special about it?
Color in this collection is strongly linked to the modern tastes of the adult, mature consumer – one who is secure in his choices. At the same time, it is a versatile product in the sense of the color rendition that NIL allows. That gave us the opportunity to refine our colors for cooler matte tones and more elegant glossy effects. It truly is a new product! We also proposed a special color for each model, featuring color asymmetry in the temples. Here, one is colored with a bright hue and the other, together with the front, is completely matte black. It adds a touch of diversity that gives the frame a cool and modern look.
Find more information about LOOK in our Brand Profile or on www.lookocchiali.it
photography ULRICH HARTMANN, hair & make-up LYDIA CASTEJON, styling JAKOB SCHAEFER, models JESSICA at PMA & ALDIN at MODELWERK
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]]>The post Embrace the Future! // SPECTR Magazine #38 Out Now! appeared first on Spectr.
]]>Virtual Ava presents a bold statement piece of BLACKFIN’s new eyewear highlights on the front cover whereas fashion photographer Ulrich Hartmann completes the surreal scenery with real models on the back cover of the magazine and an ensuing beautiful collection shoot.
BLACKFIN is increasingly establishing itself in the premium eyewear segment. Originally started as a titanium eyewear specialist relying on masterful craftsmanship, the brand from the Italian Dolomites does not need to shy away from fashionable comparisons these days. The model range includes more and more avant-garde designs, all of which are also likely to feel at home on the catwalk – this is especially true for the sunglasses setting clear accents.
Sunglasses SS 2023 Collection
BLACKFIN’s brand new sunglasses collection uniquely combines modern style with technical innovation – especially through the exclusive processing of BLACKFIN’s signature material titanium. Through the use of high-tech micromechanical processes, each front is made from a solid 3 mm titanium block. The edge of the fronts is thereby chiseled with micrometer precision to define the elegant, deeper-set lines that decorate the entire frame. This intricate processing emphasizes the technical character of the collection and gives each model a unique design.
The combination of matte hues and glossy details reflects BLACKFIN’s craftsmanship in coloring, one of the most demanding stages of the manufacturing process, which is performed exclusively by skilled artisans at BLACKFIN’s Black Shelter. Another stylish detail is the lightadaptive lenses, which allow the glasses to be worn comfortably in all light conditions – even indoors. All models in the BLACKFIN sun collection are hypoallergenic, 100% biocompatible and nickel-free. They feature tilting nosepads made of medical grade PVC and adjustable Swordfish temple tips in an ergonomic design […]
cgi cover artwork VERCE, photography ULRICH HARTMANN, hair & make-up LYDIA CASTEJON, styling JAKOB SCHAEFER, models LORENA DIEM at MUNICH MODELS & ALEXANDER STOLLER at PLACE MODELS
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]]>The post VYCOZ // Very Korean appeared first on Spectr.
]]>Hi Jeong, what brought you into the optical industry, personally?
I started my career as an optician and spent the early part of my career working for a company that specialized in importing and distributing European eyewear brands. I then used that experience to establish my own company. Personally, Europe is the place where my passion for eyewear really grew, and now I’m working to reach and gain recognition for my own brand.
When did you establish the VYCOZ brand?
In 2014. After a 12-year career in the optical field, I built up the courage to create my own eyewear design. I started my own business in a tiny office—that’s where VYCOZ was born.
What was your initial impetus for founding the brand?
Back at my previous job, I got to see many different European eyewear brands. Whenever I came across a new brand, I tried to find the core DNA of each new design. Making my own designs naturally extended from that. But I still had a long way to go before I would have the self-confidence and expertise to put my ideas into action. Even after starting the company, it took me six more years to develop its brand identity.
How would you describe the philosophy of the brand?
As an optician, a CEO, a designer of an eyewear brand and a glasses-wearer, I’ve cultivated more experience and expertise than anyone else with different types of eyewear from different brands. This also helped me develop a deep of understanding what comfort means for eyewear. I consolidated my experiences and understanding into the brand philosophy:
“Light & Comfortable”. This is what VYCOZ tries to deliver in its design and what we want people to think of when they see our brand.
Is VYCOZ a typical eyewear brand for South Korea?
VYCOZ is unique as a screwless eyewear brand in Korea. Also, rather than just selling the eyewear, we’ve also developed our own sales manual and a tool to educate opticians about how to assemble and fit our glasses to the wearer. This solidifies our role as an industry leader.
You also work with non-Asian models in your communication. Do you see yourselves as a global brand?
VYCOZ eyewear is now sold in 15 countries. Eight of these are Asian countries, but the rest are in Europe and the Americas. Our brand doesn’t have a separate non-Asian fit design. Instead, we have several patented designs that uniquely address the differences, overcoming previous limitations of fitting for face shape. First, the reversible nose-pads are 1mm thick on one side, and 3mm on the other, so they can be adjusted to fit comfortably regardless of height of the nose. Second, you can use the Temple Cutting Line to adjust for different face sizes. Third, Easy Inclination Control allows us to easily adjust the angle of inclination. These functional aspects aren’t sufficient for every face shape, but the steady rise in sales in the European markets shows that our design can meet the needs of 70-80% of the European population.
Your collection is quite broad. What is VYCOZ all about?
Today VYCOZ showcases eleven different collections covering Kids, Optical and Sunglasses. Each category is designed based on an in-depth study into each target group’s needs regarding fit, function, and usage… COLLECTION INCLINE-T, for example, is exclusively designed for the progressive lens wearer. To be optimized for progressive lenses, this collection allows a wider range of inclination angles than our regular designs. Also, it uses our anti-slip temple to allow for freer movement. At the same time, INCLINE-T weighs under 10g. MAX-KIDS is another example. The goal for this collection was to design something that could diverge from existing plastic materials and stereotypically childish designs without compromising on comfort.
All other VYCOZ collections are also designed for specific groups and needs, as you would expect from a functional eyewear brand.
What materials do you prefer to use?
We define our brand and its collection as functional eyewear. To ensure the best possible craftsmanship, we use metal materials for the base, ranging from stainless steel to beta titanium for elasticity and durability.
Are there any special technical features that are typical for VYCOZ eyewear?
VYCOZ applies for and receives one to three patents each year. Here are some of our patented features that could be helpful for glasses-wearers and retailers.
1. Hinge designs: Currently we have four different hinge systems that are adapted and designed for specific needs.
2. Reversible nose pads: Our nose pads have different-sized sides (1 mm/3 mm) which enables you to flip to fit regardless of nose height.
3. Anti-rotation hole: This feature is implemented in the front design to prevent round lenses being rotated during daily use.
4. Inclination adjustment: This feature is for progressive lens/magnifying lens wearers to easily adjust the angle of inclination for a more comfortable view.
What is the typical VYCOZ design DNA? What distinguishes your brand?
Our unique hinge design is a fundamental part of all VYCOZ eyewear designs that we want to draw attention to. Because of that, we try to keep other aspects like the front shape or the temple shape minimal and modern in a way that complements the hinge design.
In which color and shape worlds do you move with your eyewear?
VYCOZ is intended to be timeless, but recently we’ve also started to introduce vivid colors and cool/transparent materials into our designs to appeal to a broader customer base. In addition, we have different front shape designs ranging from round, to squared and polygonal.
Where do you see VYCOZ in five years?
In five years, I expect to expand our business to more than 30 countries worldwide, positioning VYCOZ as a premium global brand.
still photos RAPHAEL SCHMITZ campaign images VYCOZ
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]]>The post SPECTR Magazine #36 x LINDBERG appeared first on Spectr.
]]>LINDBERG is what we think of as a quintessentially Scandinavian brand – after all, the label likely did more to shape Scandinavian eyewear design than any other. One might even say that Scandinavian eyewear design was developed by and alongside LINDBERG itself. That might be enough for some, but LINDBERG’s progressive nature doesn’t allow it to simply rest on its laurels. As a result, the Danish brand has continued to carefully balance classical minimalist styles with the development of modern technical features for decades.
Many of these technical features have melded into LINDBERG’s DNA over the years. For example, the screwless hinges are as much a part of guaranteeing each model’s quality, lightness, and comfort as the selection of top-notch materials and fine artisanal craftsmanship.
Comfort plays a particularly important role for the luxury label – one that every customer worldwide is entitled to. Their tried-and-true modular system makes it possible to adjust every frame to the needs of each customer individually.
This shows how LINDBERG doesn’t just treat inclusivity as a buzzword, but rather as a commitment and a promise to every customer. For example, the temple inclination, width of the nose bridge, and the length and shape of the temples can be adjusted individually. The result: Eyewear that always fits comfortably, even during physical activity. It’s an expression of their slogan – Fit For Life.
So, how does SPECTR do justice to this topic? Simple. We do it by choosing the motto “What Moves You?” for our title story. There’s a lot of movement in the shoot, only the glasses hold their place. Once more, photographer Ulrich Hartmann skillfully sets the scene with LINDBERG’s 2022 frames, showing us clearly how LINDBERG eyewear is, despite its functionality, a fashion statement above all else.
photography ULRICH HARTMANN [Berlin]
model PAULINA & JOHANN at TWO MANAGEMENT
hair & make-up MELANIE HOPPE using CHANEL & ORIBE
styling JAKOB SCHÄFER
photo assistant MATEUSZ FROLENKO
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]]>The post New Styles from LOOK – Made in Italia appeared first on Spectr.
]]>Bellissimo! A special photo shoot celebrates all things Italian. To really set the scene, everything you see is 100% made in Italy. Not just the design and manufacturing of the star of the show, eyewear from LOOK – MADE IN ITALIA. The shoot itself also took place on Italian soil, in Sardinia to be exact. We get the full lowdown in our on-location interview with LOOK designer Giordano Cazzola and marketing manager Marco De Fina.
For our Collection Shoot in Sardinia, you sent us some current models from LOOK-made in Italia. Giordano, what exactly are the main talking points here?
Giordano: We want to show you how LOOK-made in Italia is combining research, production know how and functional design in unique and exclusivity according to a cross-up selling concept. In this concept, the adult product segment is defined through the material as a marker of quality either premium or high-end.
Some of the featured products are from the MATERIKA line. What distinguishes MATERIKA in general?
In MATERIKA, the aptitude of LOOK-made in Italia for design research is elevated to a higher level. There is a direct dialogue between the objectives of the designer and the production department. Technology and craftsmanship come together to give rise to new concepts in the high-end eyewear segment, where the study of materials and driving innovation remain the focus of each project.
How does the Strato collection fit into the MATERIKA approach?
Strato is part of the new Alumix collection, within the experimental section of MATERIKA. This new experience renews the choices our company made in the past, for instance to best represent one of our distinctive materials.
Speaking of materials, Alumix is the dominant choice in the collection?
Yes, it’s a special alloy of aluminum and magnesium. Super-light and high-performance and shaped according to completely exclusive processing criteria.
From a design perspective, what are the special features of Strato?
Strato models are characterized by a contemporary design, focusing on details and the idea of a stratification that enhances the richness of the workmanship. Numerous mechanical steps alternate with calculated craftsmanship, creating a story of processes combined with accuracy and precision.
Creativity is thereby translated into attractive glasses of absolute aesthetic novelty.
You also play with ‘contrasting finishes’. What’s the story behind that?
The concept is to apply the expertise of the company’s research on Alumix to the theme of contrast, understood as a harmonious dialogue between different thicknesses and surfaces. The aim is to satisfy the attentive eye of the observer, through a perception of enveloping tactility.
What is the color concept behind Strato?
Not only are the colors completely new, but there is also a revolutionary color concept in Strato.
In how far?
The colors range from ruby red to virtual green. From signal yellow to graphite black to the more reassuring midnight blue or slate grey. But the colors never appear flat or dull. The saturation of acid green or amethyst violet, for example, is diluted in both matted and metallic nuances. It is exciting to see how the tangible differences in the surface can be grasped by rotating the glasses and changing the point of observation.
Next in our Collection Shoot, Aurea is a special capsule collection. Marco, how does this collection fit into your line-up?
Marco: Aurea is a limited-edition capsule collection. A project that was created to make tangible the visual experience of the NEW RINASCIMENTO image campaign. In fact, we decided to communicate our values not only through our image but by translating them into product, which represents our core business. We can say that Aurea is the fruit of NEW RINASCIMENTO.
What was the starting point?
Aurea was born from an apparently simple concept. The development started from identifying the common denominator within nature, understood in its totality. Nature as an environment but also as human nature. The connection that man has always sought with nature. We identified it in the ‘golden ratio’, the highest expression of harmony. It’s a sincere bond with the ‘beauty’ that has always existed in nature.
For which target group is this concept designed?
Aurea is a product in the adult premium and high-end segments of LOOK – made in Italia.
How many styles are part of the collection?
The capsule consists of four frames, two men’s and two women’s, designed by LOOK-made in Italia designers Giuseppe De Riva and Augusto Valentini. Aurea will also create two entire collections for the adult premium and adult high-end segments, completing the development of LOOK-made in Italia acetate frames.
How can the design language of Aurea be described?
It is a language that speaks of refined Italian creativity. Everything originates from the desire to represent beauty following a simple concept that we can summarize with the word harmony.
What materials and colors do you play with in this capsule collection?
First of all, Aurea is a full acetate product in which our expertise has been used to experiment. The color games range from transparencies to detailed coloring processes to express the creativity underlying the project to the fullest. For example, in the »Aurea 4530« model, the concept of ‘overlapping lightness’ is introduced. The acetate material is processed in such a way as to look like a stratification of colors, where each layer has its own specific aesthetic function.
As a brand with its own manufacturing, you also have a great influence on the ecological footprint of your eyewear. What steps are you taking to keep it low?
First of all, we focus our research on choosing the best raw materials. Without them, you cannot make excellent products. For us, this is mandatory. We research and develop materials internally, for instance Alumix. These materials have a very low environmental impact during extraction and create a sustainable product life cycle. They are recyclable countless times and without losing any of their mechanical properties, which guarantees continued product performance with a low footprint.
Thank you both for the interview.
photos NARÈNTE [LUCIO ARU + FRANCO ERRE]
casting NARÈNTE
styling VERONICA RUGGERI
hair & make-up DANIELA DESSÌ
models MARTHA MASSIEL at THE CLAW MODELS & FILIPPO PINNA at BRAVE MODELS
assistant ALESSIA GRECO
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]]>The post SPECTR #35 Out – BLACKFIN 2022 Highlights appeared first on Spectr.
]]>Italian brand BLACKFIN not only scores a Collection Shoot in our new magazine issue SPECTR #35, but also supplies the star products for the SPECTR cover. It’s well earned, because the designer label represents technical innovation and constant creativity like no other. The new company headquarters, the Black Shelter, symbolizes the progressive DNA of the premium manufacturer from South Tyrol. BLACKFIN walks a fine line between tradition and modernity; between technology and fashion. What’s more, the label does not picture these spheres as exclusive – BLACKFIN exists at their intersection. It’s summarized in the company slogan Neomadeinitaly that serves as a daily motivation in the Italian town of Agordo.
The common denominator across all collections is the label’s mastery of titanium. Titanium is part of a belief system at BLACKFIN. To a point where the entire company ethos is based on the lightweight material, which the Italians source exclusively from Japan. The masterful processing of titanium has now become second nature to BLACKFIN. As a result, the label is able to handcraft extremely lightweight frames with high-value designs. In this issue’s photo shoot, we focus on new models from the One, Razor and Sun collections.
Starting with One, it’s the main collection that subsumes the essence of the brand. One revolves around frames with modern and geometric designs. Made of pure titanium, adorned with a sense of uniqueness via hand-picked colorways. Speaking of colors, BLACKFIN designers can draw from a wide range of options thanks to the label’s proprietary dyeing processes.
Next up, the Razor collection takes the advantages of titanium to the next level in even slimmer and lighter frames. Crafted from 1 mm titanium, the models are manufactured using special micromechanical processes. As an added feature, the new, one-piece hinge once again exemplifies the unique blend between function and design. The Razor collection renders classic and timeless shapes in a modern design accentuated by an extensive color palette: from luminous hues to shiny gold and deep black, BLACKFIN showcases titanium in all its variations.
Because this is our summer issue, sunglasses are a must-have. With this in mind, the Sun collection echoes the stylistic signature of the One line as a direct link to the core concept behind BLACKFIN. But with added sun protection! Plus, the daring shapes and progressive forms of the sun line go beyond the design parameters of their optical counterparts. This becomes obvious by looking at standouts like the feminine »Palm Cove« and the unisex style »Zen« that grace this issue’s threepage cover. We call it Neomadeinitaly with a special twist. Or in this case, ready for summer!
photography ULRICH HARTMANN [Berlin]
assistant SOPHIE SCHWARZENBERGER
styling VIRGINIA KRAUSE
hair & make-up JANETTE PETERS
models KOBE BOATENG at KULTMODELS, DORA FRANZ at IZAIO & “DRAMA” THE CAT
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]]>The post SILHOUETTE // Fashion Imperatives appeared first on Spectr.
]]>The rimless shades from the SUN Collection 2022 dazzle with their exclusive form language. It’s a refined blend of oversized lenses fitted rimless with ultra-thin titanium temples. The resulting frames are high on style and comfort of wear, while the quality is impeccable. The models are named after two islands located in Biscayne Bay outside Miami: Fisher Island and Star Island range among the most stylish destinations near the Sunshine City, where luxury meets pure natural beauty.
These two SILHOUETTE designs from the SUN Collection 2022 reflect the Austrian designer brand’s latest entry in a long line of shapes that render gorgeous women’s sunglasses in rimless designs. It’s no surprise that SILHOUETTE ranges as a market leader in the rimless premium eyeglasses segment. This offering is underlined by the service option of having both sunglasses fitted with prescription strength lenses at the label’s in-house optical lab.
This season, the collection is joined by the Futura Dot with fashionable throwbacks to the early 1970s. The year 1973 is when the original was first released as a true showpiece. The new interpretation is just as stylish and flashy, but not stuck in the past. The signature dot on the frame is machined into the material and accentuated by a hand-made color inlay. Together with the oversized lenses, embedded precisely into the shield, the frame creates an equally fascinating and unique form language.
For our shoot, photographer Ulrich Hartmann and Team present the must-have fashion item in two stunning colorways: Atlantic Blue and Black and White. What’s more, the special edition in limited quantities is also available in Olive Grove and Nostalgic Brown with only 1964 pieces of the Futura Dot produced. The meaning behind 1964? It’s the founding year of SILHOUETTE. And much like other releases from the trendsetting brand, Futura Dot is about to rock the eyewear universe!
Find out more about the Austrian Brand and their current collections here and here.
And don’t forget to check out FAVR where Silhouette has selected a bunch of frames for you to try on!
photos ULRICH HARTMANN
hair SACHA SCHÜTTE
make-up PACQUO WINTER
styling SKY BULTOVIC assisted by CARLA
photo assistant JULIUS WOREL
models REX ADAMS at MUUMAA MODELS & STELLA KLEIN at MIRRRS MODELS
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]]>The post INTERVIEW // TARIAN’s ALL NEW ATELIER appeared first on Spectr.
]]>Hi Jérémy, it’s been a few years since our last visit to Paris. How have you been?
Extremely good! Paris has gotten a lot of energy. The past two years were a challenge and opportunity to change our way of living. And also a way to rethink eyewear. I now have the chance to carry out several artistic activities including ceramics and drawings, which is a huge source of inspiration for my eyewear design.
A lot has happened at TARIAN. The most obvious is your new studio. What was the reason for moving?
Creating eyewear means opening your eyes. I loved my previous studio in Paris, but as time goes on, we needed more space and a new energy. I was looking for a new space to also rethink our way of working.
What are some improvements at the new studio?
My new studio is a combination of an office, a ceramic atelier with a wonderful oven, an eyewear showroom and a living room. It’s all in the same place. I established my new atelier in a historical building, Hotel de Melun, built in the 17th century close to Place des Vosges. The atelier is open to everyone upon appointment, and especially to our dearest worldwide opticians. I also open it for children’s ceramics classes during the weekend, and this Christmas season is the opportunity to host art exhibitions of drawings from young Parisian artists. It’s a space for living!
What were your criteria for furnishing the place?
The new atelier is located in an old art gallery. The high ceilings and space were the base of the decoration. I opted for furniture that can match the color palette of my eyewear and ceramics. The »earth color« or terracotta is the base. I mix it with old classic standard and wooden floor and old large windows with some contemporary pieces, and, of course, my favorite timeless furniture: USM Haller. Flowers and plants play a major role in my new studio.
To what extent are you influenced by your other personal interests?
I enjoy drawing, painting and ceramics. The mixture of materials, especially in ceramics is a real source of inspiration to cross, divert and arrange acetate compositions in eyewear.
In your new campaign you also stage your glasses on flowers. What’s behind the idea?
Audacity and intuition. For almost ten years I have been trying to shake up, with good humor, the codes of eyewear by mixing my vision with the know-how of manufacturers and new trends. After the past two years, we needed fresh air and fresh colors. Flowers came naturally as a starting point for my new collection and campaign. I worked with a flower’s artist in Paris, Pauline Monnier, and my dear photographer and friend, Kate Fichard with almost ten years of taking pictures, to create our new visuals that match all our new acetate colors.
You have just launched the new collection Play. What is special about this collection?
I am working more and more on mixing materials, like titanium and acetate. But also refining the treatment of these materials. The Play collection is a combination of acetate layers that we laser cut. Starting with three fundamental colors, each acetate part has been laser-cut to reveal both the useful and the beautiful, and upset aesthetic codes.
In the Patchwork collection you play with light and colors. What inspires you?
After ten years of creating eyewear, we have accumulated various acetate plates, often scraps from previous productions, despite our limited series. For the Patchwork collection, we reuse these acetate remnants to remix them together, and create new material. In all color combinations we look for the prettiest variations.
Thanks for the interview, Jérémy.
To find out more about the French Brand TARIAN, please visit: www.tarian.paris
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]]>The post GLORYFY // BREAKING PARADIGM appeared first on Spectr.
]]>The idea for creating really special eyewear designs already manifested in the mind of company founder Christoph Egger in 2004. It took seven years until it would become reality. Since then, GLORYFY has built a reputation for indestructible sunglasses and frames far beyond the brand’s home base in Austria. That’s because manufactured in the Zillertal valley, the glasses are truly unbreakable. Over the years, the label has remained true to its roots and founding principles. But with the Lifestyle and Optics collection, the ‘Made in Austria’ company is also branching out beyond the field of sports. That’s a good thing because everyone can use more unbreakable things in everyday life.
Hello Christoph, please tell us about the origins of GLORYFY.
The idea behind GLORYFY unbreakable originated over coffee with a good friend. He had priorly suffered a severe cut on his eye in a skiing accident that broke his glasses. But then it took another year until I finally committed to making this raw idea reality. The final impulse happened during an episode I got to witness on a business trip to Hongkong. A couple at the table next to mine erupted in a loud verbal argument after the man had accidentally sat on the woman’s glasses, which ended up broken. So I spontaneously told my colleague right there: “When I get back home, I’m finally starting my project around unbreakable eyeglasses.” Said and done! That started a product development process which would ultimately take seven years.
And even today you’re still manufacturing in the Zillertal valley in the Tyrol region?
Yes, that’s part of our unbreakable DNA. We’re providing a counter vision to the disposable ‘fast fashion’ society by manufacturing eyewear with style and longevity via in-house production.
What else makes GLORYFY stand out on the market?
UNBREAKABLE is our most important guiding principle. It’s really at the heart of all we do. Not just the technology and the practical use value. But also, our entire philosophy that we put into action daily. It’s our daily drive to become better, make even better products, even thinner frames and temples, and provide an even better service to our retailers. And most of, get back up and carry on every time we fail.
How can you guarantee an ‘unbreakable’ product?
Our material consists of a highly specialized cast resin. It took us ten years to fully understand the material. We have patented the technology, which makes us unique worldwide. It’s an extremely complex process from raw material to finished product. While it may look simple and playful when you see our frames bend flexibly, it requires a high level of craftsmanship and loads of experience.
Does that also include the lenses?
Indeed. We never differentiated between the frames and lenses since our entire goal was to make eyeglasses unbreakable in their entirety.
You’ve also developed a patented temple technology.
Exactly, it’s called INCLINOX technology. For opticians, INCLINOX offers the opportunity to adjust the temples in a cold state while also controlling the inclination. Adjusting eyewear has never been simpler. It’s made possible by the interplay between a metal insert and our elastic cast resin.
Which features separate GLORYFY from other sports-oriented eyeglasses?
By no means are we trying to sound arrogant, but there simply is nothing better for any kinds of sports activities. We have unbreakable lenses and frames, the absolutely highest lens quality and flexibly adjustable temples that can be fitted to any sports-specific situation, like wearing a helmet.
And here’s an absolutely essential factor: GLORYFY unbreakable eyeglasses are not only technically innovative and functional. But they’ve also undergone a giant evolution in terms of style in their design. While at the outset in 2011, our eyeglasses were still bulky, functional, and sports-focused, we have now arrived in the stylish lifestyle and optical frame segment. Due to great advancements in our technology, we have been able for several years now to manufacture extremely thin frames while still hitting the ‘unbreakable’ paradigm. That way, we now offer every single wearer of eyeglasses an incomparable overall package of innovation, functionality, and style!
But aren’t there already enough brands in the lifestyle and optical segment?
Considering the sheer amount of added value, from a technical perspective, offered by our glasses, we absolutely don’t want to be caged into the ‘sports eyewear’ category. That’s because the advantages in everyday wear are rather obvious: Whether it’s storing the glasses in the coat pocket or the classic mishap of sitting on them in your car – people no longer have to worry about their favorite glasses. Even curious children’s hands can’t harm our sunglasses and frames, which makes them the perfect companions in all walks of life. What’s more, our satisfied retail partners and customers from the early years have always asked when we’d finally bring our technology into the lifestyle sunglasses segment. When we also added the INCLINOX temple technology, it became an unstoppable success story. The same applies to our optical collection. There’s just nothing like it on the market.
What overall role does this new segment play in your business now and what do you expect in the future?
Our lifestyle sunglasses already account for about 40 percent of our sales. Optical frames about 30 percent. This means that sports eyewear no longer is at the top in terms of sales, but still remains a fundamental part of the collection.
How many new models can we expect for the 2022 collection?
Our kickoff collection for 2022 will offer 51 new styles across all areas of the eyewear universe. Then midway through the year, our Midyear Collection will introduce more new additions.
Does the new collection follow a specific design direction?
No, there is no overarching stylistic principle. We offer everything from eye-catching models to elegant and feminine frames all the way to understated frames in matted finish. So something for every taste. The technological denominator is obvious, though: unbreakable. In terms of lens technologies, we are excited to introduce a great innovation, a self-tinting lens that can change from F1 to F3 while adjusting color from light pink to grey.
For this issue’s Collection Shoot our photographer and fellow Austrian Günther Egger set the scene to fulfill your request for a strong and extravagant showcase. Does the resulting imagery fit the visual language of your brand?
We really enjoyed Günther’s approach for the photo shoot with his artsy interpretation of Wes Anderson’s masterpiece ‘The Royal Tenenbaums’. Whether you love the characters or not, they sure are different. They are sporty in their own specific way, but in a retro style that creates a fascinating counterpoint to our innovation-driven and progressive eyeglasses, I think. The characters aren’t ‘pretty’ in the classic, mainstream sense but have their edges and imperfections while doing their own thing. Just like what we’re about with our brand (laughs).
Thank you, Christoph.
Checkt out the brand’s website: www.gloryfy.com and visit FAVR for more info about the brand and discover more models.
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]]>The post MATSUDA // The MATSUDA Approach appeared first on Spectr.
]]>Japanese eyewear mainstays MATSUDA count among the world’s most original designer labels in our industry. The recipe for success is simple: aside from delivering only premium products, the label continues to command the aura of a trendsetter and fashion pioneer. Even 50 years ago, designer and namesake Mitsuhiro Matsuda was cultivating a new kind of eyewear design, inspired by Gothic architecture, Victorian art, American jazz, and traditional Japanese tailoring.
The common theme throughout the years remains the combination between refined designs and utmost craftsmanship. MATSUDA only relies on the finest materials, including Japanese acetate, titanium, stainless steel, Sterling silver and 18-karat massive gold. All crafted into masterful frames that blend the line between eyewear and jewelry. Quality instead of quantity makes MATSUDA eyeglasses true collector’s pieces. True to the motto: “Old World Technique, New World Expression”.
Discover more MATSUDA Frames by following this link and visiting their Brand Profile on FAVR now!
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]]>The post EINSTOFFEN // STRANDED, NEVER LOST appeared first on Spectr.
]]>Swiss label EINSTOFFEN is taking major strides in 2022 with the new collection Stranded, never lost. The almost 100 new products include two special eyeglasses – »Imker« (beekeeper) and »Honigdieb« (honey thief) – that carry special meaning to co-founder Philippe Rieder.
Hello Philippe, what’s behind the title of your new collection “Stranded, never lost”?
That has a lot to do with our own self-image. Setbacks, struggling, stumbling, and getting stranded are part of every company and life story. Often they are unavoidable. But it’s how we deal with them that makes us who we are. When you’re going through life with your eyes open, you’ll find new routes towards your goal in the most unlikely places. New opportunities or ways of thinking often originate in times of crisis or defeat. Getting back up, carrying on. That’s a bit like the unofficial EINSTOFFEN creed.
How important is looking ahead into the future for your brand?
In these uncertain times we find it especially important to maintain and spread a kind of baseline optimism. You’re not getting past a crisis by curling up into a ball. You need to risk something. We cultivate this anti-cyclical approach since our support initiative for opticians in early 2020. The new Stranded, never lost collection represents our unbroken belief in the future. And we’re launching almost 100 new products.
How is this optimism reflected in the collection?
The colours are happier and more vibrant thanks to innovative shades of Havana and experimental color gradients. Overall, we are offering far more colorways per model than before. The shapes have also become more adventurous. We’re experimenting with thick acetate, beveled edges and daring titanium constructions. What’s more, we’ve perfected our new »E«-wood metal temples to reach a higher level of stability and a more refined look in our frames.
It’s also part of your DNA to name your eyewear styles after occupations. What’s the story?
Yes, it’s traditionally been our concept to name our eyewear models after jobs. In a broad sense, I might add, since some terms like »Schwarzfahrer« (illegal passenger) or »Ganove« (crook) may pop up. But the concept has been working and creates some sort of suspense for the models and their stories. Especially the unconventional jobs.
What are some standouts?
It’s been quite the collection so far. From the »First Lady« to the »Kopfgeldjäger« (head hunter) and »Professor« as well as »Smutje« (ship’s cook). But our favorites are really the kind of occupations that are obscure or even obsolete, like »Hafner« (oven builder), »Hutmacher« (hatmaker) or currently »Imker« (beekeeper) and »Honigdieb« (honey thief).
The two latter models are part of your brand-new line. What are the stories?
For the photo shoot in the middle of our current look book we followed a traditional beekeeper in Iran on the job. Definitely an eye-opener!
How so?
The beekeeper’s story really raised our awareness for the disappearance of wild honeybees in Switzerland and Europe. Now we are joining forces with the Swiss bee protection organization FREE THE BEES to repopulate free-living honeybees in Switzerland by donating 10% of the proceeds of sales from the two new models, plus the Christmas initiatives surrounding our fashion products such as shirts, hoodies, t-shirts, and watches.
Do you see any parallels between the fate of the bees and the eyewear business, or perhaps the EINSTOFFEN story?
Beekeeping is really similar to eyewear or fashion – it requires a change of thought on a holistic level. We are working towards placing the bees and their survival at the center of the narrative, not the maximum yield of honey. From a sustainability angle, we do indeed notice some analogy to independent eyewear culture. This brings the story of the bees, the motto of our collection and the unchained philosophy behind EINSTOFFEN full circle: The optical business will blossom more when it’s free and independent, so even small players can achieve great things.
Thanks for the interview, Philippe.
Find out more about Einstoffen and their inspiring collections here: www.einstoffen.de/
Brand Profile at SPECTR and FAVR.
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]]>The post Clémence & Margaux // Sisterhood Conquers All appeared first on Spectr.
]]>Inspired by her older sister’s passion for style, Clémence soon starts adding her own dose of personality to the design process. Through the alchemy of talent, teamwork, and sisterly love several years later a new eyewear brand is born: CLÉMENCE & MARGAUX.
Strengthened by their unique bond from a young age onward, the two French company founders have channeled their mutual interests into a quite sizeable eyewear collection. Founded in 2012, the brand cultivates a style that can best be described as retro-inspired and enhanced by a healthy dose of glamor, playful fantasy, and love for detail. With their eyewear creations, CLÉMENCE & MARGAUX speak to self-confident women that like to present themselves in a flattering and feminine manner. A lot like the two founders!
With an eye for colorful 1970s style, the brand’s eyewear frames appear in rounded or angled geometries in an oversized form factor. Crafted from delicate metal and titanium with front sections in subtle colorways. Sometimes with a tortoise surface, or even adorned by accents in rosé or turquoise all the way to the temple tips. In short: Eyewear by CLÉMENCE & MARGAUX always dazzles with a tasteful combination of materials, themes, and colorways. Say adieu to mere functional visual aids and bonjour to life-affirming fashion statements!
Eager to find out more about the French brand? Then it’s this way.
Head over to FAVR to check out our selection of French Brands! And make sure to also check out the latest trends in eyewear.
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]]>The post ECO // TICKING ALL THE GREEN BOXES appeared first on Spectr.
]]>True to its name, indie label ECO counts among the earliest pioneers when it comes to sustainability in the eyewear game. From day one, the brand has pursued the goal of maintaining a minimal eco footprint across its products. Ever since then, the label has innovated and improved to realize this bold vision on several levels.
Alongside the use of recycled materials – mostly plastic leveraged from the planet’s oceans – ECO is also introducing a growing number of frames crafted from bioacetate. With that said, ECO is ticking all the green boxes: The label stays true to its commitment of realizing sustainability and conscious use of resources across all collections as well as manufacturing processes.
The current bioacetate collection also makes a bold statement. The form language of the frames is no longer understated, but full of fashion appeal that turns up the volume. Here’s proof that sustainability no longer equals doing things quietly behind the scenes – but loud and proud! This also rings true for ECO’s new color palette in the line: The colorways, much like the thickness of the material, are bound to draw attention. At the same time, the shapes exhibit a certain sense of lightness, perhaps through the skillful use of transparent segments.
For customers looking to go beyond purchasing resource-saving eyeglasses, there are more ways to get involved: How about supporting ECO in a Beach Clean-Up effort? For more info on eco activism and the latest collections, visit www.eco-eyewear.com.
Visit our ECO Brand Profile here.
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]]>The post NIRVAN JAVAN // #SEETHEWORLD appeared first on Spectr.
]]>As a relatively young eyewear label based in Switzerland, NIRVAN JAVAN has mastered the rare feat of becoming a fixture on the international market in a short time. Premium opticians across the globe display imagery from the brand’s #SEETHEWORLD campaign in their windows. The claim is more than just a marketing gimmick, but reflects the cosmopolitan approach pursued by the designer and his team. Here’s Nirvan talking shop in our SPECTR interview.
Hello Nirvan, the last time we spoke about NIRVAN JAVAN was at our Cologne studio a while back. What’s been happening in your world over the last year?
The last year was challenging without a doubt. Corona left nobody untouched. The main downer was the cancellation of all eyewear tradeshows. But now I’m even more looking forward to open doors again. At the same time, the last year also brought opportunities.
How so?
There was time to look inwards, get inspired and then channel this inspiration into additions to the collection or entirely new collections. Now we are looking towards the new year with great expectations.
You’re kicking off the season with the #SEETHEWORLD campaign. Why is this international focus important to you?
#SEETHEWORLD is more than a mere campaign. It’s a credo, a philosophy of openness that celebrates the experience of other cultures and traditions. Cosmopolitanism is very important to me, personally. Having grown up in Switzerland, in a Persian household I felt at an early age what it means to be a global citizen. Cultures do not isolate but complement one another. With the #SEETHEWORLD campaign we are looking to share this feeling with others. It’s about sharing the prettiest places and cultures in the world, in order to create something new. A new experience.
Your photo shoot also contains a luxurious sentiment. What kind of brand values does it reflect?
Modern society is facing an infinite horizon. It’s exactly this cosmopolitanism, fueled by globalization, that is the source of much inspiration. The exchange of diverse cultures creates a symbiotic flow that leads to something new, always with a hint of luxury. This is the core thought behind NIRVAN JAVAN and every single collection.
The namesakes for these collections are cities such as Paris, Chicago, London, Tokyo, Zurich, and Rome. Why exactly these six cities? Is there a personal connection?
All these cities share a strong cosmopolitan character. Regardless in which of these six metropolises you happen to be, the diversity is palpable. Multiculturalism is an essential component. This exact aspect of freedom and cultural exchange was a specific criterium for selecting these cities. What’s more, each city owns its own, significant personality. Thinking of Paris, it’s the gentle city of poets and artists. Chicago conjures up images of the massive railway city in America. Every single city has a sense of uniqueness, but also openness. That’s why we chose them for NIRVAN JAVAN collections.
On that note, what’s behind the naming scheme for the pieces in the collections?
The philosophy behind #SEETHEWORLD penetrates the smallest details at NIRVAN JAVAN. All the way to naming the models after time zones, for instance Tokyo 01:01 (JST). The name of the collection is always based on the respective city. The hours on the clock describe the model number, while the minutes represent the color code, and we use the seconds to demarcate the tint of the lenses.
This system provides a strong structure but seems somewhat high concept. Is it easy to grasp for opticians?
At first sight it may seem a bit complex, but once you spend some more time with it you see the advantages. The cosmopolitan approach affects every fiber of NIRVAN JAVAN. Even the model names of the glasses tell the stories of world travelers. Once you recognize the underlying story, it’s easier to see through the number sequences.
How do the individual collections differ and what is the concrete connection to those cities?
The city represented by the frames determines the shape and colorway of a model. The unique character of Tokyo derives from the symbiosis between tradition and technology. It’s exactly this character that is reflected in the Japan-made, hand-crafted frames from high-grade titanium. The monochromatic colors, together with the geometric shapes recreate the skyline of Tokyo in every frame. Every single one of the manifold models can be deconstructed to discover the city behind it.
Your most recent line is the Rome Collection. What were the main guidelines?
The Eternal City welcomes every visitor with a deluge of beauty and details that very few destinations are able to match. Once you spend just a few hours in this metropolis, it’s already clear: History is still alive here. The streets themselves are like a museum under the open sky, in which the architecture, art, and history of several thousand years impact the visitor. You realize that Rome offers endless inspiration. And the results are eight graceful sunglasses.
You also include two limited editions with the Romulus and Remus. What makes them stand out?
These two limited-edition sunglasses are not dedicated to famous locations. Their namesakes are much rather the heroes of mythology who, several millennia ago, planted the foundation for one of the most famous metropolitan cities in the world: Romulus and Remus. You can rediscover their history in the cubic shapes and the intense, dark color nuances of the acetate frames. And in order to point out the exclusive nature of Rome’s founding myth, the production run of the Romulus and Remus is limited to 100 pieces.
Are you planning on covering additional locations in the #SEETHEWORLD campaign? Or will you rather be adding new models to existing collections?
Existing collections will definitely be expanded with new models. We’re assuming new perspectives and viewing the same city in a different light – which leads to new inspirations. NIRVAN JAVAN is on a journey around the globe. And this journey has only just begun. Additional and even more exotic cities will provide the inspiration for future collections. So all that’s left to say is stay tuned and join us in discovering new places and impressions.
Thank you very much, Nirvan.
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]]>The post VYCOZ // NEW DESIGNER BRAND IN TOWN appeared first on Spectr.
]]>The name VYCOZ translates into something like ‘by Korea’. And that’s exactly where this rather young label originates from – the South Korean capital of Seoul, to be precise. Here at the VYCOZ House, the label handles all design and production in a controlled process. Owning its very own unique manufacturing know-how allows the brand to create eyewear with a high level of authenticity, a strong identity as well as a healthy dose of independence and flexibility.
The design DNA follows the South Korean tradition for contemporary and modern designs that look forward and backward at the same time. For the 2021 campaign entitled Timeless, the heads at VYCOZ set up a shoot inside a traditional Korean home. The setting rings true to the label’s mission: Tradition and quality meet modern designs; always with a clean, purist and reduced aesthetic. The formula not only resonates with audiences at home in Korea but has also built a growing international fanbase. As the name Timeless suggests, VYCOZ is here to stay.
The segmentation of the collection is also built to resist the test of time. VYCOZ groups all pieces of the collection into seven sub-collections, all the while drawing on several different materials. The line features natural materials such as Swiss Bio Empla alongside more traditional classics such as sheet metal. Many of the frames are equipped with screwless hinges, while others can be upgraded into sunglasses via stylish clip-ons. On that note, the label also offers full-fledged sunglasses collections that also live up to the Made in Korea quality standard.
What’s more, VYCOZ also curates a quality collection for children. And as opposed to many other labels playing in this segment, their designs are far from infantile or ‘kiddie style’. Just the opposite, these pieces carry the full brand DNA and make children look like little grown-ups with stylish eyewear.
The common denominator between all collections is VYCOZ’s clean design languages. Most pieces tend to be subtle and understated, but always offer a unique twist that warrants a second look. Plenty of reasons to check out this upcoming brand from the South Korean capital.
To find out more about this up and coming brand, visit: https://vycoz.com/
Head over to FAVR where more Frames of the Likes await! If you want to check out the most influential eyewear designers in history, check out our blog post.
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]]>The post FLEYE // WHO NEEDS WORDS? appeared first on Spectr.
]]>In everyday speech, an oxymoron is the juxtaposition of two seemingly exclusive opposites. But in eyewear design, this kind of contrast can yield powerful results when it’s used as a stylistic device. For proof, check out the Silent Noise collection by Scandinavian brand FLEYE COPENHAGEN. The campaign tells a unique story – entirely without words – in the style of silent films from the 1910s. SPECTR gets behind the scenes!
»Helene« is a thin and oversized frame that not only appears edgy, but also rather feminine and enhances every face with a unique boost of personality.
»Tamara« is a thin and square optical style. Adding an oversized look to the mix, it creates a strong aura.
With its classic, delicate appearance, the »Eske« is an equally timeless and modern frame with a special edge of elegance.
»Magda« is the perfect combination of feminine and daring, chic and enchanting.
»Tesman« is an optical style blending classic and modern design in a unique manner and invites lots of deep eye contact.
»Aage« is a square unisex frame with an oversized look that personifies lots of self-confidence and urban attitude.
Tribute to a Diva
First things first, the new Silent Noise line by FLEYE is a tribute to a silver screen icon: Danish actress Asta Nielsen, one of the most famous lead actors in 1910s film production and one of the first international movie stars. Having risen from humble origins, Nielsen advanced to become one of the highest-paid actresses in the world. As a young film star, her lavish life of luxury and her self-confident clothing style earned Nielsen a reputation as a fashion icon. Her dark brown eyes and hair also lent her a special aura of mystique, while her colorful personality as a diva earned her recognition on the international scene.
Telling a Story without Words
In the process of finding inspiration for the collection, the FLEYE design team embarked on a journey back in time to the glory days of the silver screen. The fundamental concept consisted of translating Asta Nielsen’s grandiose lifestyle into gorgeous frame shapes. From this departure point, the design team started experimenting with broken glass to invoke the contours of champagne flutes, shadows, and feathers. This created an inspirational environment to invoke Nielsen’s aura. Using these stylistic elements, the team created shadow outlines that pay homage to the basic nature of silent film, most importantly the ability to tell a story without using any words.
Contrasts Between Colors and Expression
When it came to selecting the color palette for the Silent Noise collection, FLEYE relied on vintage movie posters from Asta Nielsen’s acting career. Rich in vibrant colors, these posters exuded a unique sense of attitude that directly informed the collection’s choice of colors and engravings on the frames.
By channeling Nielsen’s legacy into the colorways and silhouettes of the collection in this creative manner, the new line attains a recognizable design DNA. Some of the designs feature a unicolored and dark front section, contrasted by a colored backside. Others strike a feminine but powerful appearance – enriched by oversized shapes – while others tend to be rather delicate but also strong in character. As you see, contrasts and oxymorons abound in this stylish line inspired by the lifestyle of silver screen icon Asta Nielsen.
For SPECTR, designer Anette Estø chose her six favorites from the Silent Noise collection – by the way, the models are named after important persons from Nielsen’s life – and shares her personal connection to these styles.
Find out more about the Brand FLEYE by reading their Brand Profile on FAVR.
Head this way for the FLEYE COPENHAGEN website here!
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]]>The post SPECTR #34 Out Now Featuring LINDBERG Sun Titanium appeared first on Spectr.
]]>Eyewear models from Scandinavian designer label LINDBERG not only grace the cover of our latest magazine issue SPECTR #34. They are also the eyecatchers of this collection shoot, for which Ulrich Hartmann was on the road with his team in wintry Berlin. The stars of the show: pieces from LINDBERG’s new Sun Titanium Collection.
Wearers across the globe cherish LINDBERG’s signature blend between minimalistic, on-point designs and boundary-pushing mastery crafting some of the world’s most advanced titanium frames. In our previous issue of SPECTR, we showcased the Thintanium collection of incredibly light (a mere 3.0 grams!) and technically advanced frames.
This evolutionary thread now finds its direct continuation in the Sun Titanium Collection of 1980s-inspired sunglasses.
“The new designs utilize the signature features of our Thintanium collection. The thin titanium frame grants the designs a future retro feel that is sure to make a statement.”
Henrik Lindberg, Founder, CEO, and Creative Director
Executed in lightweight and premium titanium, frames in the Sun Titanium Collection interpret staples of 1980s eyewear design in LINDBERG’s signature reduced-to-the-max style. Expect oversized and petite versions of quintessential frame designs like aviators, cat eyes, squares, and round frames. One of the standouts: Athletic ‘shield’ sunglasses – think the kind of full-front wraparounds now brought back by fashion influencers – in a unique, two-lens construction.
“What would otherwise be a one-lens design has been split in two with a very narrow bridge, given it the shield appearance while still having the flexibility of having two lenses. Truly state of the art eyewear!
Henrik Lindberg
Further pushing the boundaries, the Sun Titanium Collection is built on customization. For the ultimate precise fit, wearers can customize the length of the temples and adjust the bridge and nose pads to their exact specifications. Every frame is custom-made and hand finished. For added value, the frames implement LINDBERG’s proprietary screwless hinges alongside premium Zeiss lenses with anti-reflex coating for full UV-protection. Want extra sun protection? Sure! Select models also include effective and timelessly cool looking side shield elements. Speaking of cool, finer details include acetate or composite elements combined with the refined elegance of titanium.
Meet the three stars of this issue’s cover shoot: The »8801« embodies the futuristic take on shield sunglasses in LINDBERG’s two-lens design and a pronounced rim. For a classic aviator with a high-tech soul, check out the »8802« in a luxury, ultra-light titanium finish. Another future classic is the »8803«: Laced with gold accents across bridge and temples, the square, never boring frame is definitive magazine cover material. And since the cover is not enough, we’re showcasing more styles from LINDBERG’s new offering here in a dedicated collection shoot.
With so many personalized choices, it’s up to wearers to find their perfect match.
“Style is all about perspective and for sunglasses it’s no different – that’s why the essence of the LINDBERG sun collection is diverse points of view. With the endless possibilities of custom sunglasses, no look is out of reach!”
Henrik Lindberg
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]]>The post P+US EYEWEAR // Master of Posing appeared first on Spectr.
]]>We ramped up our flashlight generators for the new campaign photo shoot for P+US EYEWEAR. It’s worth it! Especially because the new frame styles are so fresh, they have yet to receive their model names. With that said, here’s a first sneak peek at what’s in store!
P+US EYEWEAR makes a strong statement with patented features and slim designs made in Hongkong. The various collections implement high-grade materials such as stainless steel, titanium, acetate, and buffalo horn. In our photo shoot, we’re showcasing milestones from three collections: The Zero series revolves around featherlight stainless-steel frames with screwless hinges. The Combo collection dazzles with delicate, finely appointed blends of materials. And the Deluxe Horn line is dedicated to natural horn frames with a unique, one-of-a-kind grain structure in each model.
The casting for the campaign photo shoot is also a match made in heaven. Hanna Fischer aka Hanna Goldfisch seems predestined for bringing the delicate new styles by P+US EYEWEAR to life. Although Hanna moves with playful ease in front of the camera, she is a thoroughbred professional in a league of her own in the model universe. Why? Because all her gestures and poses are on point – and always authentic. Anyone who’s ever tried their luck on front of the camera knows how much it takes. What’s more, Hanna possesses the kinds of gentle facial features that are ideal for making eyewear look striking. And her self-confident and cheeky attitude make her the perfect fit for an eyewear label with the same kind of vibe. Hanna Goldfisch appears courtesy of Izaio Agency.
Come visit FAVR and discover more independent eyewear brands!
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]]>The post Gouverneur Audigier / Frame lovers only appeared first on Spectr.
]]>Despite its traditional background, GOUVERNEUR AUDIGIER is far from resting on its laurels or stagnant when it comes to new impulses. Instead, the French label is open to blending more than a century of experience with new, innovative impulses while working with luxe materials such as gold, titanium and leather. The eyewear line-up is divided into two collections: In the premium luxury collection Gouverneur, the designers are playing with the full bandwidth of contemporary designs and elevated accents. And in the more fashionable and youthful GOUV/AU collection, the shapes offer a special twist and include several delicate frame designs as well as daring interpretations of chic panto frames. Something for everyone!
Check out the Brand Profile on FAVR now along with a fine selection of eyewear by Gouverneur Audigier.
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]]>The post METROPOLITAN // Block Titanium from Bavaria appeared first on Spectr.
]]>Starting this season, the optical industry is welcoming titanium eyewear ‘Made in Bavaria’. That’s because German label METROPOLITAN is releasing its first collection crafted from the ‘material of the gods’. In the process, the design-driven label once again proves that clean design and striking form language are no longer exclusive. The frames are machined from block titanium and feature subtle facets. Also geometric cuts and edges, as demonstrated by the feminine »8105« style and its male counterpart, the »8106«.
As for the perfect wearer for these design highlights, the women’s model does require some degree of self-confidence. The lens shape offers a creative take on basic cat eye spectacles, yet without appearing overbearingly playful, but rather modern and avant-garde. The 3D-indentions in the bridge and temples also add to the overall depth of detail, alongside the embossed METROPOLITAN logo. In the same vein, the men’s style impresses with a modern and unique form language that is far from conventional.
But what about recognizable METROPOLITAN features? Look no further than the brand’s understated one-piece temples featured prominently in these two styles. In terms of color palette, these new titanium beauties walk the line between black, lavender, mint and gray for a look that is bound to appeal to today’s urbanites who appreciate design and quality. Solid!
Find out more about the brand METROPOLITAN here.
And don’t forget to head over to FAVR and check out the latest frames from the brand!
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]]>The post ØRGREEN // Quantum High Collection appeared first on Spectr.
]]>Known for masterfully executed titanium frames, Scandinavian eyewear brand ØRGREEN cultivates a recognizable design language, colorways, and choice of materials. But it has also proven its ability to innovate: So when the Copenhagen-based label introduced its Quantum Collection of 3D-printed frames, the eyewear world paid close attention. Now the story continues, as ØRGREEN introduces the style-driven Quantum High Collection.
For the inside perspective, SPECTR talks to Frederic Lassalle, new Head of Design at ØRGREEN Optics. Before joining the brand in 2020, the French designer who holds an Industrial Design degree and Masters of Fashion Design has designed eyewear for the likes of Dior, Hackett, Scotch & Soda, and more. Accompanied by mood photography from Ulrich Hartmann and team, this is truly a ‘High’ Fashion Collection Shoot.
Frederic, what was the initial idea behind the Quantum line?
Quantum 1.0 was a strategic opportunity for ØRGREEN to set a precedent: Mark their footprint into the future eyewear landscape as one of the first 3D-printed eyewear players. Combined with ØRGREEN’s trademark material – Japanese titanium – and a bespoke range of color stories, Quantum embodies our goal to challenge traditions of eyewear design whilst offering the highest hand-crafted quality.
What are the advantages when it comes to 3D-printing?
3D-printing is the future of manufacturing and highly efficient and sustainable. It’s one of the innovations we count on to make ØRGREEN products greener than ever. In term of design, 3D-printing and modelling unlock an all-new design vocabulary for creators… a bit like going from black and white to color TV. In terms of the product itself, polyamide and titanium combine to provide superior strength, ultra-lightness and unbelievable comfort.
This year you evolved the line into Quantum High. What’s new?
Quantum High is our reboot of this 3D-printed concept. Taking the best of what we’ve learned with the first line, we serve our vision of lightness. We pushed the minimalism to its purest expression. We go to the limits of the materials with an elegant 3D-printed silhouette, sculpted at the thinnest and lightest, with different profile details per gender. This provides the wearer incredible lightness of the polyamide material and unbeatable comfort.
On this first release, we explored a “neon lights lines” story. We apply a matted pop color palette to the titanium temples and muted soft silicone end tips. These colorways give strength and life to the frames, without overpowering the overall look.
Find out more about the brand here.
Orgreen recently joined the FAVR family! Check out their Brand Profile and Frames on FAVR now!
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]]>The post MONOQOOL // DANISH DESIGN FOR 3D appeared first on Spectr.
]]>Visit the brand new MONOQOOL brand profile on FAVR to virtually try on their eyeglasses and sunglasses and find opticians in your area.
Find out more about the Brand here!
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]]>The post KOBERG // THE TITANS ARE OFF appeared first on Spectr.
]]>The next level of titanium eyewear is here. And not from Denmark, but from the quaint town of Munster, Germany. With their third collection, eyewear label KOBERG is premiering their first line of titanium frames. SPECTR sits down with Frank Tente about the ins and outs of this milestone, and how the new titanium models fit into the overall collection.
Hello Frank, your relatively young KOBERG label is launching its third collection. What are the similarities to previous offerings?
KOBERG is an eyewear collection that stands out through craftsmanship. The glasses are made with a focus on quality and wearable design. We’re into small, craftsman details and also put an emphasis on using the best possible materials.
What has changed in your latest collection?
The new collection has been crafted entirely from block titanium. And the cylindrical hinge featured in our first two collections has been transitioned into a flatter design element in our titanium models, due to the properties of the material.
Will titanium only feature in part of your collection or are you making a complete switch?
Only a part of the collection, for now. The stainless-steel models still offer a variety of creative options that titanium cannot match.
What is the general idea behind branching out into titanium?
We initially started the KOBERG collection with milled stainless steel and its unique processing options. And in our acetate models, we had the impression that machined materials still have some untapped potential. So it was only logical to take a look at titanium as a new material.
Which advantages does titanium offer, and do you see it as a long-term commitment?
Sustainability has always been a major cause for us. And titanium offers real longevity as a material that also works great for eyewear: It’s extremely robust and antiallergenic. But working with sustainable materials also requires sustainable, durable designs.
On that note, how and where do you design your products?
In 2019, the design team at Studio Spektakel already contributed its signature style to the second KOBERG line. This modern and international look translated the characteristic, cylindrical KOBERG hinges into delicate shapes that made extremely thin hinges and temple shapes possible. The team now delivered great work in our third series. With the decorative element on the temples, they created a premium designer product.
How is the manufacturing process structured? We imagine that you are not producing titanium frames at your Munster headquarters.
Exactly. Here in Munster, we ‘only’ manufacture our acetate pieces. The stainless-steel collections have been made by Alex Picicci in Gerlingen since day one. We also have maintained a partnership in South Korea for many years, with a specialization in premium milling techniques. This is where the raw pieces for the titanium collection are machined and then welded, coated, and assembled in Gerlingen.
Are there recognizable design elements typical for KOBERG?
KOBERG models always have a special accent at the intersection between hinges and temples. First the screwless and cylindrical hinge and now the embedded tile ornament.
What can you tell us about the ‘tile’ accent?
Adding a cylindrical element at the hinges would be rather unfortunate working with block titanium. So in essence, we went and ‘flattened’ our cylinder and that led to this sort of cover for the hinge. It’s manufactured and coated by hand in Germany in an elaborate process.
What are other standout features of the Titanium Collection?
We rely on a rather robust raw material, in order to be able to machine different levels of thickness at the lens borders, hinges, and temples from the same block of titanium. We place special focus on the edges with a slight bevel. And with the amazing colors from Berlac, used from the start in KOBERG eyewear, we create some subtle accents once again.
Are you looking to serve a new target group with your titanium frames?
Basically, our target group remains the same: People who appreciate quality and design at an equal measure. We have learned that part of this demographic also happens to value titanium.
Does the new collection present somewhat of a shift in the KOBERG design DNA?
Definitively not! We simply apply everything that characterizes KOBERG to a new and exciting raw material.
What other areas of focus can we expect over the coming years?
Acetate of course! From our own factory.
Thanks for the interview.
Find out more about Koberg’s current collections here: https://www.koberg-tente.de/
Visit FAVR to find your perfect Sunnies or Glasses at an optician near you.
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]]>The post PORSCHE // PIT STOP WITH PATRICK DEMPSEY appeared first on Spectr.
]]>[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1634745023486{margin-bottom: 0px !important;}”]Do we need to introduce PORSCHE as a brand? Probably not. But here are some broad strokes, just to make the point that Ferdinand Alexander Porsche has exerted a tremendous influence on the design language of the 20th and 21st century. And not just with 1963’s Porsche 911 model, perhaps single-handedly the most iconic automobile of all time. Also because the philosophy and design language of Porsche have also made an impact since 1972 through an extensive line of lifestyle products. Today, this tradition continues under the PORSCHE DESIGN label. The focus remains on technical precision and perfection, supplemented by a high level of technical innovation. After all, it’s no surprise that some eyewear models from the PORSCHE DESIGN collection have attained collector’s status due to their intelligent functionality and purist design DNA.
In 2021, the label based in the Austrian town of Zell am See created a special collaboration with Patrick Dempsey. The Hollywood star is not only a successful actor and director, but also a die-hard motorsports afficionado. In short, Dempsey is the perfect brand ambassador for PORSCHE DESIGN. Plus, the two partners not only share the initials ‘PD’ but Dempsey is a long-time Porsche driver, and even owns his own racing team. What brand fit could be more authentic? As part of the collection’s campaign, Dempsey will showcase a few new and timeless PORSCHE DESIGN models. SPECTR already has the inside scoop for you right here.[/vc_column_text][mk_gallery images=”76380,76372″ column=”2″ image_size=”full”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1634745110385{margin-bottom: 0px !important;}”]»P’8688«
Straight out the gate, the campaign featured the »P’8688« from the Liquid Titanium Series. The three-dimensional temples lend a daring yet minimalistic impression to the full-titanium frame. For crystal clear optics – especially behind the wheel – the product variant »P’8688 A« is equipped with Vision Drive Polarized XTR lenses. These feature a high-performance polarization filter as well as contrast enhancement that absorbs blue light rays much stronger than conventional eyewear lenses.
»P’8920«
The »P’8920« races into the collection from the iconic Hooks Series. In this case, the ‘hooks’ serve as the signature lens fastening mechanism that is deeply rooted in the brand history of PORSCHE DESIGN. A small detail, but full of history and design DNA. Crafted from stainless-steel, the aviator model includes temple tips from high-performance polymer RXP to guarantee a high level of comfort, flexibility and lightweight – even when you’re cruising in the fast lane.[/vc_column_text][mk_gallery images=”76378,76374″ column=”2″ image_size=”full”][vc_column_text css=”.vc_custom_1634745148380{margin-bottom: 0px !important;}”]»P’8928«
A true eyecatcher thanks to its geometric edges, the »P’8928« is a squared aviator frame in tribute to a special milestone: The very first quick-change lens sunglasses created by PORSCHE DESIGN in 1978. The design remains unchanged – and on-trend as ever. Only the lens shape has been slightly altered to hit the current zeitgeist with a bang.
»P’8386« & »P’8387«
The PD capsule also includes two optical models: The »P’8688« and »P’8387« from the Liquid Titanium Series complement the design language of the sunglasses in the line. For this reason, both frames are crafted from 100% titanium, just like the »P’8688«, and thereby offer lightweight comfort. Plus, the three-dimensional temples are the perfect match for the classic shapes of the panto and squared aviator front sections. So even without tinted glasses, these two optical models have that special PORSCHE DESIGN spirit that gives them edge.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_zigzag][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=”.vc_custom_1634745359347{margin-bottom: 0px !important;}”]Find out more about the current Porsche Design collection at: www.porsche-design.com/us/de/
Don’t forget to visit FAVR to find your perfect Eyewear with our brand new tool, the Virtual Try On.[/vc_column_text][/vc_column][/vc_row]
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]]>The post Silhouette 2021 Highlights appeared first on Spectr.
]]>For the last few decades, SILHOUETTE has commanded a position among the world’s premium eyewear labels. Through it all, the Austrian company has delivered the constant level of quality and innovation to act as one of the main players among independent eyewear brands.
For a full showcase of excellence, we have hand-picked several standout models from four different SILHOUETTE collections. The level of design is always top-notch, the main differentiator is the range of materials employed by SILHOUETTE. What’s more, the frames all share the same longevity, high comfort of wear as well as amazing lightweight.
Virtually try on SILHOUETTE on FAVR!
Let’s take a closer look: In the Momentum Select Collection, SILHOUETTE applies stylish touches of black and gold. Both of these colors, although from different ends of the spectrum, work in unison to create stylish accents. Elegance meets true luxury. The rimless models receive a true style upgrade through the ultra-thin black Accent Ring. Taking things over the top, the extraordinary lens shapes make a self-confident style statement.
The Greek goddess of the dawn served as the namesake to the Eos View Collection. These full-rim frames conjure images of first light in their translucent colorways and color accents. The shape-in-shape effect provides these models with a three-dimensional character that is enhanced by carefully appointed color nuances. The comfortable Eos View models not only make a great impression in the early morning hours when the sun rises but can be counted on 24/7 for overwhelming lightness and depth of color.
Transparency is the operative term in the Infinity View Collection. These models dazzle viewers with their lightness, translucency, and lofty appearance. From a design perspective, the one-piece look is the true standout: The lenses and frames seem to blend together without visible or noticeable transitions. The borderless polyamide shield is secured by titanium temples that allow for easy customization to individual wearers.
Finally, the models in the Lite Arcs Collection all share the signature cut-outs in the upper bridge above the lenses. The effect is created via delicate laser cuts. These titanium half-rim frames serve as a modern interpretation of Nylor frames and make a strong statement with their purist design and clean form language. Conformable for all-day wear. Stylish through day and night with that special SILHOUETTE design DNA.
SILHOUETTE
Momentum Select
Up to date in terms of fashion styles: rimless styles with ultrathin acetate rings in a premium black-gold colorway.
SILHOUETTE
Eos View
Full-frame glasses in translucent colors and a striking threedimensionality thanks to shap-ein-shape designs.
SILHOUETTE
Infinity View
Polyamide shields and titanium temples with a one-piece appearance: lenses and frames blend together nearly seamlessly.
SILHOUETTE
Lite Arcs
Half-frame glasses from high-tech titanium and components from SPX®+ in a purist design with clean form language.
photography ANDREA KADLER
models CELIA & FABIAN at SPIN MODEL MANAGEMENT
hair & make-up ARMIN VOGL at CLOSE UP AGENCY
videography NAVINA CLEVER
styling assistance SVEA BECKEDORF
retouch FRANCISCO BELTRAN
location HAMBURG
Find out more about SILHOUETTE here or visit their SPECTR Brand Profile here! There are many more designer eyewear brands featured on the platform.
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]]>The post FACE À FACE // Playing with Colour and Shape appeared first on Spectr.
]]>One of the style leaders among French eyewear brands is upping the ante this season in terms of creative shapes and colorways: FACE À FACE, the Paris-based label led by Creative Head Pascal Jaulent presents a new selection that is bound to turn heads. Other brands may be looking for understated styles – but not FACE À FACE! Here, Pascal Jaulent speaks in our SPECTR Product Update about key pieces from the new collection.
BOCCA BLOOM
“An ever more innovative vision of geometric nature is embodied in the new design of the iconic »Bocca«: The lenses of this pretty-shaped acetate frame evoke the birth of a diminutive bud in full bloom. The shape offers a playful take on transparencies. The »Bocca« is Art Deco and sensuality reinvented!”
NEONN
“The »Neonn« is a daring hybrid frame made from titanium and beta-titanium. This masculine design is the result of a new color application technique: neon is embedded between two dark flats, resembling the light of an eclipse. This method lends an enticing look to the upscale design of this square panto shape and creates a luminous halo effect. Precious and masculine!”
WITTY
“Full of spirit, light and personality, the »Witty« cultivates boldness and vitality. Just like an impertinent ray of sunshine, color-light penetrates the acetate frame with its integrated flex hinges. A colored groove highlights and gives volume the frame. Two colors collide and react vibrantly, making the glasses as lively as they are balanced.”
ZENIT
“The »Zenit« range is Illuminated by the color-light of the midday sun. Expressive and colorful minimalism emerges from this elegant feminine design crafted from titanium. Strong contrasting color covers the thick edge of the upper arch, thereby creating a counter perspective. Poetry and metamorphosis in ascendance!”
Im FACE À FACE Brand Profile auf FAVR könnt Ihr Brillen und Sonnenbrillen online anprobieren, viele Designer Brands und den richtigen Optiker in Eurer Gegend schnell finden.
Brand Profile bei SPECTR.
Mehr Infos zur Brand FACE À FACE gibt es hier: www.faceaface-paris.com
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